The Perfect Neighbor Analysis: Unpacking a Infamous Shooting Via the Lens of a State Officer's Body Camera

The true crime category has an innovative format, or perhaps even a whole new language and grammar: police body cam footage. Faces of victims, observers and potential offenders appear suddenly to the cameras, at times in the harsh glare of vehicle beams or flashlights as the officers approach, their faces and voices eloquent of caution or fear or indignation or dubiously feigned naivety. And we often catch sight of the expressions of the law enforcement personnel, one standing by blankly while the other conducts the inquiry with what occasionally seems like remarkable hesitation – though maybe this is because they are aware they are being recorded.

A Growing Trend in Documentary Filmmaking

We have previously seen the Netflix real-life crime film American Murder: Gabby Petito, about the slaying of an social media personality by her boyfriend, whose main point of interest was officer recordings and in which, as in this film, the police seemed extraordinarily lax with the suspect. There is also the acclaimed short film Incident by Bill Morrison, made exclusively of body cam film. Now comes a new film by Geeta Gandbhir about the tragic incident of Ajike Owens in a city in Florida, a African American woman whose four young kids reportedly bothered and tormented her neighbor, a local resident. In 2023, after an escalating series of neighbour-dispute incidents in which the authorities were summoned multiple times, Lorincz fatally shot Owens through her closed front door, when the victim went to Lorincz’s house to confront her about throwing objects at her children.

The Police Inquiry and Legal Context

The investigating authorities found evidence that the suspect had done online research into Florida’s “stand your ground” laws, which permit householders and others to use firearms if there is a significant presumption of threat. The movie builds its story with the body cam footage captured during the repeated police visits to the scene before the shooting, and then at the horrific and chaotic incident site itself – introduced by 911 audio material of Lorincz calling the police in a melodramatically shaky voice. There is also police cell footage of Lorincz which has a disturbing, unsettling appeal.

Depiction of the Suspect

The documentary does not really suggest anything too complicated about the neighbor, or any extenuating circumstance. She is clearly unstable, although the kids are heard calling her a derogatory term, an ugly jibe. The production is showcased as an example of how “stand your ground” laws generate senseless and tragic bloodshed. But the reality of gun ownership and the second amendment (that longstanding U.S. legal right that a late commentator notoriously said made gun deaths a necessary cost) is not much highlighted.

Officer Questioning and Firearm Norms

It is feasible to watch the officer questioning segments here and feel surprised at how minimal concern the officers took in this point. When did she buy her gun? Did she receive any instruction on handling it? Was this the first time she discharged the weapon? Where did she store it in the house? Was it just on the couch, loaded and ready? The authorities aren’t shown asking any of these surely relevant questions (though they may have done in recordings that didn’t make the edit). Or is gun ownership so commonplace it would be like asking about microwaves or bread heaters?

Arrest and Aftermath

For what seemed to her neighbors a very long time, the suspect was not even arrested and charged, only held and even provided accommodation away from home for the night (another point of comparison, incidentally, with the a prior incident). And when she was finally officially taken into custody in the holding cell, there is an remarkable scene in which Lorincz simply declines to rise, will not extend her arms for the handcuffs, not aggressively, but with the politely self-pitying air of someone whose psychological state means that she just can’t do it. Did the gentle handling up until that point led her to think that this might actually work?

Conclusion and Verdict

It didn’t; and the panel's decision is saved for the end titles. A deeply sobering portrayal of U.S. justice and consequences.

This Documentary is in cinemas from 10 October, and on Netflix from October 17.

Charles Matthews
Charles Matthews

A seasoned business strategist with over 15 years of experience in digital innovation and enterprise consulting.